Tjahjono Abdi & Mendiola Budi Wiryawan, Book “Shalat, Shalawat, Doa”, 2001

(This photo was taken by Rechy A Rachim).

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Graphic Designer: Tjahjono Abdi & Mendiola Budi Wiryawan.

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Johannes Satyadi, Book “Nyoman Nuarta”. 2001

(This photo was taken by Rechy A Rachim).

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Writer: Jim Supangkat.
Reader/English Editor: Cynthia Laksmi.
Editorial Assistant: Ersat B Amidarmo.
Translator: Margaret Agusta, Marjie Suanda.
Designer: Johannes Satyadi.
Photo Courtesy: Mohammad Drajat, Budi Ipoeng, Yap Miawan.
Published by The Garuda Wisnu Kencana Foundation.

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Glenn Marsalim & Taufik Thahir, Book “Matahati”, 2003

(This photo was taken by Rechy A Rachim).

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Bahasa Kain

Kain bicara dalam banyak bahasa, mengirim pesan.
Dengan membelainya, kain mengijinkan kita membelai diri sendiri.

Rangkaian warna yang diatur dengan teliti,
akhirnya membentuk motif.
Motif sebagai design.
Sign, guratan tanda tangan,
makna dari berbagai penjelasan,
penanda, membuat kita melihat dan memahaminya.

Mata Hati

Adalah wawasan, inspirasi, harapan, cita-cita,
kesadaran, nurani, budi pekerti, segala yang tampak,
dirasakan dan diketahui oleh hati.

Saya teringat pada sebuah lagu lama,
“Nothing comes from nothing… Nothing ever could…”
Segala sesuatunya selalu punya asal usul.

Tak ada yang tak berujung pangkal.

Kain itu bagaikan anak manusia.
Tercipta dari dua benang. Ya
Yang satu kuat mengikat, menjadi pilar
dari struktur yang akan diciptakan. Yang lain menganyam,
membuat kain terbentuk sebagai lembaran.

Begitu juga dengan manusia.
Paduan dua individu yang berbeda,
menciptakan sebuah harmoni.
Melahirkan seorang anak.

O’bin

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We had a new idea for this year’s publication “MATAHATI”
to express an aspirations for a better future…

To share with all the firm belief that moving forward is based on the understanding that all knowledge from the past, all that has been will be carried into the future… to be treasured.

To develop is to add on… not to substitute,
not to discard for the sake of something new just because it’s new.

Elang Komara arranged for photo sessions with our young and upcoming Indonesian photographer, Kay Moreno. Together they created the scenes in the pages. The wonderful and beautiful models Alderbaran, Davina, Fabby, Irma and Vinna, inspired by the fabrics and clothing moved according to their imagination and senses.

We met another young genius who has been doing comics illustrating for more than 5 years, Eri Gaudiamo. He stroked, studied, and worked with the fabrics. Eri’s imagination of swordsmen and cloth movement created three dynamic illustrations for this book.

Later, Glenn Marsalim and Taufik Thahir came to work together for the graphics.

That was one pahse of the project. We still had to “page” the work. And that was made possible with the expertise, patience and invaluable time of Erwin Indarto of Jayakarta Agung Offset. Selecting textures and weights of the media was made successful by the patronage of Paperina.

The end of 2003 is nearing. The world is constantly changing in dynamic force, shaping and reshaping itself.

Wanting so much, needing so badly to share with you all…

O’bin

Eri Gaudiamo, Illustration for “Matahati”, 2003

Sumber: Buku “Matahati” yang diterbitkan melengkapi peragaan busana “Bin House”, 24.10.2003 di Jakarta Convention Center.

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Johannes Satyadi, Book “Celebrating Indonesia, Fifty Years with the Ford Foundation 1953-2003“, 2003

(This photo was taken by Rechy A Rachim).

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Lans Brahmantyo, Book “Rumah Bangsa”, 2004 (a)

Lans Brahmantyo, Book “Rumah Bangsa”, 2004 (b)

(These photos were taken by Rechy A Rachim).

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Published by Sekretariat Presiden RI + Red & White Publishing.

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Ignatius Hermawan Tanzil, Book “Srihadi: Poetry without Words”, 200?

(This photo was taken by Rechy A Rachim).

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Johannes Satyadi, Book “Karaton Surakarta”, 200?

(This photo was taken by Rechy A Rachim).

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Graphic Designer: Johannes Satyadi.

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Henricus Linggawidjaja, Book “Part One Edward Hutabarat”, 200? (a)

Henricus Linggawidjaja, Book “Part One Edward Hutabarat”, 200? (b)

(These photos were taken by Rechy A Rachim).

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PART ONE EDWARD HUTABARAT

Lama tidak muncul di ruang publik, Edward Hutabarat diam-diam terus bekerja mengunjungi berbagai tempat di Tanah Air.

Dia menemui pembatik Cirebon, Laweyan Solo, Yogyakarta, perajin agel di Banyuwangi, pembuat perak di Kotagede, Yogyakarta, dan Sanur, Bali, ke Bukittinggi di Sumatera Barat, hingga Sumba Barat, meminta mereka memperlihatkan keterampilan tangan mereka. Edo, panggilan akrab Edward Hutabarat, membantu dalam desain supaya hasil kerja mereka dapat memenuhi kebutuhan para pencinta mode.

Hasilnya adalah Part One Edward Hutabarat yang diperkenalkan Edo kepada publik pada Jumat (15/9) sore di Kemang Icon, Jakarta Selatan. Di sana ada pakaian hingga beragam aksesori, seperti sepatu, tas, kalung, anting, dengan beragam material yang menurut Edo 99,9 persen berasal dari Indonesia dan buatan Indonesia.

“Ada banyak sekali perajin yang pekerjaannya bagus-bagus. Saya hanya membantu menampilkan karya mereka supaya sesuai dengan sebuah gaya hidup kosmopolit,” kata Edo. (NMP).

Sumber: KCM > Pernik.

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Johannes Satyadi, Book “Icons of Art, National Museum Jakarta”, 200?”

(This photo was taken by Rechy A Rachim).

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Graphic Designer: Johannes Satyadi.

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PT Sukarya & Sukarya Pandetama, Book “Indonesia, Harmony in Diversity”, 2006 (a)

PT Sukarya & Sukarya Pandetama, Book “Indonesia, Harmony in Diversity”, 2006 (b)

(These photos were taken by Rechy A Rachim).

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Published by PT Sukarya & Sukarya Pandetama for PT Kalbe Farma Tbk.
Design by PT Sukarya & Sukarya Pandetama.
Printed by PT Jayakarta Agung Offset.

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Nilam P Moeliono & Kristi Dhanardaya Widjaja, Book “S Sudjojono, Visible Soul”, 2006 (a)

Nilam P Moeliono & Kristi Dhanardaya Widjaja, Book “S Sudjojono, Visible Soul”, 2006 (b)

(These photos were taken by Rechy A Rachim).

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Published by: Museum Sudjojono & Canna Gallery.
Chairperson: Rose Pandanwangi Sudjojono, Suprajitno Sutomo.
Vice Chairwoman: A Pandanwangi Sudjojono
Project Managers: Maya Sudjojono, Inge Santoso.
Administrators and Treasury: Djuang Sudjojono, Wicky S Sjamsul Bahri Sutomo, Anita Anggraini, R Roberto.
Author: Amir Sidharta.
Editor: Michelle Chin.
Translators and Proof-readers: Sunarsih La Rangka, Elisio Font Raket, Omi Intan Naomi.
Design by: Nilam P Moeliono & Kristi Dhanardaya Widjaja for PAPERPROJEK.
Photography by: Koes Karnadi, Kurniawan Wigena, Iswanto Soerjanto.
Printing by: PT Jayakarta Agung Offset.

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Imran R Kartawijaya & Musa Maulana Yusuf, Book “Keris Jawa, antara Mistik dan Nalar”, 2006

(This photo was taken by Rechy A Rachim).

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Penulis: Haryono Haryoguritno.
Koordinator Tim: Graito Usodo.
Editor: Waluyo Wijayatno, Anton M Moeliono, Stanley Hendrawidjaja.
Ilustrator Grafis: S Soedarmo (alm.), Sunyoto Bambang Suseno, Hadi Sulaskam.
Fotografer: Emmo Italiaander, Pandita Adiningrat.
Komputer Grafis: Yaya Mulyadi.
Desain Grafis: Imran R Kartawijaya, Musa Maulana Yusuf.
Konsultan Desain Grafis: M Markoes Djajadiningrat.
Diterbitkan oleh Penerbit PT Indonesia Kebanggaanku.

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Johannes Satyadi, Book “Pikiran Kartini”, 2007

(This photo was taken by Rechy A Rachim).

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Graphic Designer: Johannes Satyadi.

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Agung Rudianto, Book Cover “Menjadi Jogja (250 Tahun Kota Jogja)”, 200?Agung Rudianto, Book Cover “Menjadi Jogja (250 Tahun Kota Jogja)”, 200?

Graphic Designer: Agung Rudianto
Photography by Bambang Tri Atmojo (Duotone Photography)

Source: mysecondscape

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